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  • Handcrafted ceramic coffee set of coffee cups, sugar bowl and tray with original, wavy lines and cheerful paint brushed decoration in black against a white background.

  • This hand-decorated ceramic plate, featuring a stylised plover, is characterized by the use of an ancient white glaze graffito technique that underscores the orange shades of clay.

  • This material decorative object is shaped in the form of a stylised wild boad, a common subject of the traditional iconography of Sardinia.

  • The minimal shape of this vase is characterised by a black background against which an animated, magical underwater world is seemingly brought to life, emphasised by the bright iridescent effects of glazing and fine details.

  • The playful cat, depicted with circular lines, is enhanced by the sophisticated rendition of the Raku ceramic technique, deftly used to obtain contrasts of matt black surfaces, vibrant colors and transparencies.

Il settore

Local pottery production started during the Neolithic age, featuring peculiar characteristics that evolved during the Nuragic age. Neolithic pottery productions explored the female body, rounded also in pottery production, being a representation of the Mother goddess. Nuragic pottery featured simple and stylized designs, a tribute to the strength of war.


In the following ages, the regular exchange of imported pottery, linked to the interaction of different cultures with Sardinia, made it difficult to define what local production really was, since production became a self-sufficient expression of modern age, only when stylistic features and technical procedures were define and kept unchanged until recent times.


For instance, terracotta was slipped and glazed. Few and functional models were lathe-crafted: pitchers, marigas, containers, sciveddas, pans, pingiadas, flasks, frascus, bowls, discus, and other types of pots and pouring receptacles.


The setting is rural and pastoral. They are objects of daily use, for the transportation and and storage of water, baking, the preparation of desserts and food products. Yet, embellishments and expressive characterizations are also used. The festive versions are used during solemn occasions, anniversaries, rituals, and are part of the set of votive tools. They are made by the most skilled figuli, using graphite and decorated with plastic additions, plant motifs and the figures of saints and other religious and good-luck symbols.



These productions that belong to the local material culture, together with the productions of other sectors such as hand-made weaving, jewelry, carving and basket weaving, share a secret language, and intimate and evocative jargon.