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  • The filigree button typical of the local costume for women is reinterpreted in this fine large decorative object, enriched by traditional polychrome ribbons and fabrics. Individually molded by hand in terracotta and glazed ceramic, they are ever-changing unique pieces.

  • Explicitly inspired by local tradition, the finely engraved lace-like decoration is made of glazed terracotta. The central stylised lapwing module reinterprets the symbols of other forms of Sardinian tradition, such as weaving and carving.

  • These lathe-shaped ceramic plates are decorated with graphic motifs that evoke, in balanced compositions, the typical fabric of the traditional saddlebags.

  • This hand-crafted and decorated ceramic container. The organic and irregular shape reminds of sea bottoms with rocks and shells, emphasized by the use of glaze and crystal, with a shimmering and mother-of-pearl effect.

  • The square shape with sharp shark teeth, decorated with fine Raku technique, skilfully combines fun and the quality of the potter's handcrafted work. Handcrafted as a unique pieces, their sizes, shapes and color combinations are always different.

Il settore

Local pottery production started during the Neolithic age, featuring peculiar characteristics that evolved during the Nuragic age. Neolithic pottery productions explored the female body, rounded also in pottery production, being a representation of the Mother goddess. Nuragic pottery featured simple and stylized designs, a tribute to the strength of war.


In the following ages, the regular exchange of imported pottery, linked to the interaction of different cultures with Sardinia, made it difficult to define what local production really was, since production became a self-sufficient expression of modern age, only when stylistic features and technical procedures were define and kept unchanged until recent times.


For instance, terracotta was slipped and glazed. Few and functional models were lathe-crafted: pitchers, marigas, containers, sciveddas, pans, pingiadas, flasks, frascus, bowls, discus, and other types of pots and pouring receptacles.


The setting is rural and pastoral. They are objects of daily use, for the transportation and and storage of water, baking, the preparation of desserts and food products. Yet, embellishments and expressive characterizations are also used. The festive versions are used during solemn occasions, anniversaries, rituals, and are part of the set of votive tools. They are made by the most skilled figuli, using graphite and decorated with plastic additions, plant motifs and the figures of saints and other religious and good-luck symbols.



These productions that belong to the local material culture, together with the productions of other sectors such as hand-made weaving, jewelry, carving and basket weaving, share a secret language, and intimate and evocative jargon.