You are here


  • It is decorated with the precious "hollow rose" carved motif, inspired by the local tradition, the elegant table painted with several coats designed to highlight the wood grain and the precious decorations. Made entirely by hand, it is part of the bedroom collection.

  • It is inspired by the traditional bridal chest of Sardinia, featuring a single color and solid and elegant forms. The refined décor, cleverly carved with rose and lapwing motifs, makes this product a unique item, customized in size, design and color.

  • It is inspired by traditional iconography. It is made of chestnut, hand carved and painted with a many-coloured mark.

  • These elegant glasses in white horn, with beautiful irregular streaks, are skilfully crafted according to the exclusive lines of the Arniel model, distinctive of the Arias Eyewear handicraft production.

  • Featuring an intaglio decoration of a rose on the back, these chairs are inspired by Sardinian tradition and ara available in two fine versions. Designed as precious table chairs, they are handmade in individual pieces using cedar wood with a fine seat intertwined by hand.

Il settore

The woodcraft sector in Sardinia, with a its ancient and codified traditions, is expressed in contemporary productions with new and diversified interpretations. Featuring recognizable linguistic traits in its decorations or with new technical and stylistic solutions, the local master craftsmen continue to express the identity of the island through motifs and suggestions.

The traditional carving decoration is created in a masterly manner by means of a burin on the most precious artefacts, such as sa cascia, the hope chest, or with a curt touch in several objects of daily use in agricultural and pastoral contexts. In both cases the marks engraved serve as a language, a written story to be read again and again, the expression of a people with a strong identity. 

Distinctive carnival masks made as part of local tradition. Being included in the carving section, they are crafted in the towns of Ottana and Mamoiada, and more recently in Oristano, worn during the traditional local carnivals, in dynamic and engaging performances.


The new interpretations range between free and recent experiences of local history, which resort to woodcraft to create decorative objects, intended as small sculptures. Artist and designer Eugenio Tavolara was the first who, during the first half of last century, designed a series of small dressed sculptures, the puppets, which portrayed characters and scenes of the traditional life in Sardinia.