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Ceramics

  • These little puppet theatres tell simple and sentimental stories, summaries of dynamic moments where time flows on. Handcrafted in glazed ceramic with a variety of compositions, the little puppet theatres clearly express the formal synthesis used by these ceramists to tell stories.

  • This decorative saucer, also used as a ceramic storage tray, is hand-shaped and decorated. The organic and irregular shape reminds of the sea bottom, with its rocks and shells, decorated by overlapping light blu-purple glaze layers and crystals.

  • The original and irregural surface of the plates is the core feature of this set, that traditionally includes dinner, soup and dessert plates, that may also be diversified upon request with underplates and coasters featuring the same decoration.

  • With its elegant and sophisticated crafting, the glazed ceramic lamp in vibrant turquoise material consists of one piece skillfully crafted with vertical grooves. Entirely handmade, it is an expression of high quality craftsmanship made by a skilful potter.

  • The charismatic figure of the large John Dory fish is reproduced in an evocative plastic form in this glazed ceramic sculpture with vibrant, iridescent and metallic nuances.

Il settore

Local pottery production started during the Neolithic age, featuring peculiar characteristics that evolved during the Nuragic age. Neolithic pottery productions explored the female body, rounded also in pottery production, being a representation of the Mother goddess. Nuragic pottery featured simple and stylized designs, a tribute to the strength of war.

 

In the following ages, the regular exchange of imported pottery, linked to the interaction of different cultures with Sardinia, made it difficult to define what local production really was, since production became a self-sufficient expression of modern age, only when stylistic features and technical procedures were define and kept unchanged until recent times.

 

For instance, terracotta was slipped and glazed. Few and functional models were lathe-crafted: pitchers, marigas, containers, sciveddas, pans, pingiadas, flasks, frascus, bowls, discus, and other types of pots and pouring receptacles.

 

The setting is rural and pastoral. They are objects of daily use, for the transportation and and storage of water, baking, the preparation of desserts and food products. Yet, embellishments and expressive characterizations are also used. The festive versions are used during solemn occasions, anniversaries, rituals, and are part of the set of votive tools. They are made by the most skilled figuli, using graphite and decorated with plastic additions, plant motifs and the figures of saints and other religious and good-luck symbols.

 

 

These productions that belong to the local material culture, together with the productions of other sectors such as hand-made weaving, jewelry, carving and basket weaving, share a secret language, and intimate and evocative jargon.