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  • Tiny houses inspired by the buildings of the old towns of the Sulcis region. They are different from each other since they are hand-crafted into single unique pieces. Available in different shapes and sizes, they take us back to the most authentic archaic Sardinia.

  • The wavy shapes of the large centrepiece sculpture reproduces the sea waves in exquisite shades of blue with vibrant coral inflorescences.

  • Collection of playful and colourful glazed ceramic pieces, rounded in shape and bright in colours. They are part of the Pesci collection, that includes several stylised versions of this sea creature, in this case decorated with charming graffito and glazing techniques.

  • The playful use of colours, in its many captivating chromatic variations, characterises these terracotta dishes that revisit the typical pottery of local tradition with simple shapes.

  • With its bellied shape, the glazed vase is decorated with traditional lapwing and the tree of life motifs with vivid polychromy on a white field. Mad on a potter's wheel, engraved and decorated by hand, it is available in different sizes and customised decoration.

Il settore

Local pottery production started during the Neolithic age, featuring peculiar characteristics that evolved during the Nuragic age. Neolithic pottery productions explored the female body, rounded also in pottery production, being a representation of the Mother goddess. Nuragic pottery featured simple and stylized designs, a tribute to the strength of war.


In the following ages, the regular exchange of imported pottery, linked to the interaction of different cultures with Sardinia, made it difficult to define what local production really was, since production became a self-sufficient expression of modern age, only when stylistic features and technical procedures were define and kept unchanged until recent times.


For instance, terracotta was slipped and glazed. Few and functional models were lathe-crafted: pitchers, marigas, containers, sciveddas, pans, pingiadas, flasks, frascus, bowls, discus, and other types of pots and pouring receptacles.


The setting is rural and pastoral. They are objects of daily use, for the transportation and and storage of water, baking, the preparation of desserts and food products. Yet, embellishments and expressive characterizations are also used. The festive versions are used during solemn occasions, anniversaries, rituals, and are part of the set of votive tools. They are made by the most skilled figuli, using graphite and decorated with plastic additions, plant motifs and the figures of saints and other religious and good-luck symbols.



These productions that belong to the local material culture, together with the productions of other sectors such as hand-made weaving, jewelry, carving and basket weaving, share a secret language, and intimate and evocative jargon.