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Ceramics

  • The Bulls belong to a collection inspired by the study of the Bull God, being the symbol of the vital force giving life and fecundating earth, and explicit reference to the figurative elements found in the Sardinian burial grounds, dating back to the pre-Nuragic age.

  • The plastic forms of this square plate are emphasised by the vibrant sophisticated green and turquoise glazing, which reveals the decoration impressed in the clay, as light as lace.

  • The Warrior ceramic sculptures have finely stylised shapes in balanced contrast with the rich decorative elements, obtained thanks to the material rendering of textures and iridescent glazed surfaces.

  • The fine lines of this ceramic plate depict crystal-clear water pools in which the vibrant green and turquoise effects evoke natural waterways.

  • These hand-crafted and decorated pots are made of many-coloured glazed ceramic. The pot is called gallinella, being a formal synthesis of the stylized fowl, shaped to make pouring easier.

Il settore

Local pottery production started during the Neolithic age, featuring peculiar characteristics that evolved during the Nuragic age. Neolithic pottery productions explored the female body, rounded also in pottery production, being a representation of the Mother goddess. Nuragic pottery featured simple and stylized designs, a tribute to the strength of war.

 

In the following ages, the regular exchange of imported pottery, linked to the interaction of different cultures with Sardinia, made it difficult to define what local production really was, since production became a self-sufficient expression of modern age, only when stylistic features and technical procedures were define and kept unchanged until recent times.

 

For instance, terracotta was slipped and glazed. Few and functional models were lathe-crafted: pitchers, marigas, containers, sciveddas, pans, pingiadas, flasks, frascus, bowls, discus, and other types of pots and pouring receptacles.

 

The setting is rural and pastoral. They are objects of daily use, for the transportation and and storage of water, baking, the preparation of desserts and food products. Yet, embellishments and expressive characterizations are also used. The festive versions are used during solemn occasions, anniversaries, rituals, and are part of the set of votive tools. They are made by the most skilled figuli, using graphite and decorated with plastic additions, plant motifs and the figures of saints and other religious and good-luck symbols.

 

 

These productions that belong to the local material culture, together with the productions of other sectors such as hand-made weaving, jewelry, carving and basket weaving, share a secret language, and intimate and evocative jargon.